Album of the week - Let's Active, Every Dog Has His Day (1988)
Today marks the first installment of Album of the Week -- a new feature of my blog that will run on the weekends. This week's featured album is "Every Dog Has His Day" by Let's Active. I bought this album on tape from a place called Eagle Records in downtown Auburn, Ala. (where the old Tiger Theater used to be) back in the fall of 1988. As I remember this little store sold only tapes and wasn't open long. I bought it one night when I was out with my teenage partner-in-crime Andrea cruising the small town and drinking something foul like Purple Passion. I had read about Mitch Easter in Rolling Stone and knew he had produced R.E.M.'s "Murmur" in his legendary studio Drive-In in Chapel Hill, N.C.
Sara Romweber played drums for the group on albums previous and she is the sister of Dexter Romweber -- lead singer of The Flat Duo Jets who Andrea, Laura Marrett, Carol Born and I saw at Darnell's, a small eclectic club in Auburn. I got to meet Dexter that night and we sat at his table. I had watched "Athens, Ga. Inside/Out" about 500 times during a a two year period and my lust for Athens-related bands had reached a fever pitch in 1988 that was shared by a few of my good friends in high school. Let's Active was definitely on that list. Many of the bands from the Athens/Chapel Hill scene played at the huge frats at Auburn (like Dreams so Real, Guadalcanal Diary and Fetchin' Bones) and somehow our underage asses got into all those shows. These shows don't happen any more because of frivolous law suits and all the scare over underage drinking so I really think we got lucky in retrospect.
"Every Dog has his Day" was the last album Let's Active released and, to me, it's their most excellent. This was the year that R.E.M. went out on a limb with their first Warner Brother's release "Green". I couldn't believe at the time that a song like "Stand" was their product and it seemed really dumbed down for the masses which was disturbing after all the brilliant albums that proceeded it . "Every Dog has its Day" has a big studio sound, some of plays like really good live recording and it never got stupid. Being on IRS records, it was too smart to get Top 40 radio play, considering that Mariah Carey and George Michael were dominating that realm the time. Auburn's college station WEGL played them regularly and Easter's voice was instantly addictive to me.
"Every Dog Has His Day" gets off to a great start with the opening title track and hits some real highlights with "I Feel Funny", "Sweepstakes Winner" and "Too Bad", but the real highlight of the album is "Night Train." The song starts and ends with the sounds of a train clicking on tracks and has has a great rimshot drum part that also starts and ends the song. I did and never will understand what the lyrics mean, but they did seem to create the mood of a bunch of high school kids cruising around endlessly because our cars, and in particular, Andrea's amazing Audi coupe, were our places to hang out.
I was lucky enough to find most of these songs on the internet, but still need to buy the disc. It made me happy to realize, while relistening, that the songs on this album are still as great as they were when I bought the tape. No part of the songwriting or production sounds dated and I love it just as much as I did seventeen years ago. Who know what happened to that old tape, but it definitely had its place in my life as a sixteen-year-old and will always have a place on my shelf of all time great albums. Thanks Mitch Easter for always remaining a mystery under the radar. It makes you all the more interesting.
For more on Let's Active and their discography go to
http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:4gjieat04xg7
Sara Romweber played drums for the group on albums previous and she is the sister of Dexter Romweber -- lead singer of The Flat Duo Jets who Andrea, Laura Marrett, Carol Born and I saw at Darnell's, a small eclectic club in Auburn. I got to meet Dexter that night and we sat at his table. I had watched "Athens, Ga. Inside/Out" about 500 times during a a two year period and my lust for Athens-related bands had reached a fever pitch in 1988 that was shared by a few of my good friends in high school. Let's Active was definitely on that list. Many of the bands from the Athens/Chapel Hill scene played at the huge frats at Auburn (like Dreams so Real, Guadalcanal Diary and Fetchin' Bones) and somehow our underage asses got into all those shows. These shows don't happen any more because of frivolous law suits and all the scare over underage drinking so I really think we got lucky in retrospect.
"Every Dog has his Day" was the last album Let's Active released and, to me, it's their most excellent. This was the year that R.E.M. went out on a limb with their first Warner Brother's release "Green". I couldn't believe at the time that a song like "Stand" was their product and it seemed really dumbed down for the masses which was disturbing after all the brilliant albums that proceeded it . "Every Dog has its Day" has a big studio sound, some of plays like really good live recording and it never got stupid. Being on IRS records, it was too smart to get Top 40 radio play, considering that Mariah Carey and George Michael were dominating that realm the time. Auburn's college station WEGL played them regularly and Easter's voice was instantly addictive to me.
"Every Dog Has His Day" gets off to a great start with the opening title track and hits some real highlights with "I Feel Funny", "Sweepstakes Winner" and "Too Bad", but the real highlight of the album is "Night Train." The song starts and ends with the sounds of a train clicking on tracks and has has a great rimshot drum part that also starts and ends the song. I did and never will understand what the lyrics mean, but they did seem to create the mood of a bunch of high school kids cruising around endlessly because our cars, and in particular, Andrea's amazing Audi coupe, were our places to hang out.
I was lucky enough to find most of these songs on the internet, but still need to buy the disc. It made me happy to realize, while relistening, that the songs on this album are still as great as they were when I bought the tape. No part of the songwriting or production sounds dated and I love it just as much as I did seventeen years ago. Who know what happened to that old tape, but it definitely had its place in my life as a sixteen-year-old and will always have a place on my shelf of all time great albums. Thanks Mitch Easter for always remaining a mystery under the radar. It makes you all the more interesting.
For more on Let's Active and their discography go to
http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:4gjieat04xg7
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